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	<title>Hybrid Garden</title>
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	<link>http://hybridgarden.com/blog</link>
	<description>Rhys Burnie&#039;s Artwork and Web Development blog</description>
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		<title>RB Outstallation drawing</title>
		<link>http://hybridgarden.com/blog/misc/rb-outstallation-drawing/</link>
		<comments>http://hybridgarden.com/blog/misc/rb-outstallation-drawing/#comments</comments>
		<pubDate>Mon, 19 Jul 2010 23:56:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Charcoal]]></category>
		<category><![CDATA[Installation]]></category>

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		<description><![CDATA[This is a drawing I made with Charcoal layed directly on the ground using shovels and rakes (1998). It was aprox. 12 meters wide. Location: Charles creek, Alice Springs 800 meters from the house I grew up in.



]]></description>
			<content:encoded><![CDATA[<p>This is a drawing I made with Charcoal layed directly on the ground using shovels and rakes (1998). It was aprox. 12 meters wide. Location: Charles creek, Alice Springs 800 meters from the house I grew up in.</p>
<div>
<figure><a href="http://www.flickr.com/photos/rhysburnie/4804186921/" title="RB - Oustallation Drawing" target="_blank" class="flickr-image alignnone" rel="flickr-mgr" ><img src="http://farm5.static.flickr.com/4077/4804186921_9fd38347d7.jpg" alt="RB - Oustallation Drawing" class="flickr-medium"  /></a></figure>
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		<title>1st Lithograph in 9 years</title>
		<link>http://hybridgarden.com/blog/lithography/1st-lithograph-in-9-years/</link>
		<comments>http://hybridgarden.com/blog/lithography/1st-lithograph-in-9-years/#comments</comments>
		<pubDate>Thu, 08 Jul 2010 00:38:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Lithography]]></category>
		<category><![CDATA[prototype]]></category>
		<category><![CDATA[Stone]]></category>

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		<description><![CDATA[Stone rolled up with Crayon black after 1st process. Errr I think my etch was way off haven&#8217;t printed yet but I can clearly see inconsistencies in the material. The really dark patches should flow into the rest but I suspect because I had used a soft crayon in those areas and copal in the [...]]]></description>
			<content:encoded><![CDATA[<p>Stone rolled up with Crayon black after 1st process. Errr I think my etch was way off haven&#8217;t printed yet but I can clearly see inconsistencies in the material. The really dark patches should flow into the rest but I suspect because I had used a soft crayon in those areas and copal in the others it made the etch to unstable. Next time Ill stick to copal and tusche which usually have the same weak etch. Im going to print and possibly redraw/etch some areas to see what I get. </p>
<p>
<figure><strong>Spillage</strong><a href="http://www.flickr.com/photos/rhysburnie/4773009978/" title="Spillage Lithograph" target="_blank" class="flickr-image alignnone" rel="flickr-mgr" ><img src="http://farm5.static.flickr.com/4081/4773009978_9ebeeb0b3b.jpg" alt="Spillage Lithograph" class="flickr-medium"  /></a></figure>
</p>
<p>
<figure class="small right topZ"><strong>Melway</strong><a href="http://www.flickr.com/photos/rhysburnie/4773050920/" title="Spillage Melway detail" target="_blank" class="flickr-image alignnone" rel="flickr-mgr" ><img src="http://farm5.static.flickr.com/4118/4773050920_6b0e5584a3_t.jpg" alt="Spillage Melway detail" class="flickr-medium"  /></a></figure>
</p>
<p>Drawn in reverse obviously so it will transfer to paper forwards. </p>
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		<title>Awarded Printmaking scholarship</title>
		<link>http://hybridgarden.com/blog/artwork/awarded-printmaking-scholarship/</link>
		<comments>http://hybridgarden.com/blog/artwork/awarded-printmaking-scholarship/#comments</comments>
		<pubDate>Thu, 17 Jun 2010 10:45:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artwork]]></category>
		<category><![CDATA[Award]]></category>
		<category><![CDATA[prototype]]></category>
		<category><![CDATA[Scolarship]]></category>

		<guid isPermaLink="false">http://hybridgarden.com/blog/misc/awarded-printmaking-scholarship/</guid>
		<description><![CDATA[I was recently awarded a 6 month scholarship at the Australian Print Workshop which is awesome! It&#8217;s been a while since I&#8217;ve worked in printmaking but I majored in printmaking at VCA 1999-2001. My plan is to work with multiple colour lithographs, yeah I&#8217;m being a bit ambitious but I don&#8217;t want to scared off [...]]]></description>
			<content:encoded><![CDATA[<p>I was recently awarded a 6 month scholarship at the <a href="http://www.australianprintworkshop.com/">Australian Print Workshop</a> which is awesome! It&#8217;s been a while since I&#8217;ve worked in printmaking but I majored in printmaking at VCA 1999-2001. My plan is to work with multiple colour lithographs, yeah I&#8217;m being a bit ambitious but I don&#8217;t want to scared off and this would be the perfect time to do such things.</p>
<p>I&#8217;ve decided on my first prototype just to get a few things worked out. I want the works to mostly be a series of <a href="http://dictionary.reference.com/browse/tusche">tusche</a> washes but will also have other pencil &amp; crayon marks.</p>
<p>The purpose of this prototype (possibly a few others) is to investigate results of mixing tusche with various solubles and different levels of reticulation vs solidity of &#8217;shade&#8217; &amp; to test registration techniques (I&#8217;m thinking smaller works may be harder to register tho, well that large works would be more forgiving of fractional misalignment.</p>
<p>
<figure><strong>Cartoon</strong><a href="http://hybridgarden.com/blog/wp-content/uploads/2010/06/p002_combined_web.jpg"><img class="aligncenter size-medium wp-image-151" title="Prototype lithograph - guide" src="http://hybridgarden.com/blog/wp-content/uploads/2010/06/p002_combined_web-363x500.jpg" alt="" width="363" height="500" /></a>
<figcaption>Faux Lithograph from separate black sketches used as colour masks (digitally).</figcaption>
</figure>
<h2>What is Lithography?</h2>
<p>Quotes from <a href="http://en.wikipedia.org/wiki/Lithography">wikipedia</a>.</p>
<blockquote><p>Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a hydrophobic, or &#8220;water hating&#8221; substance, while the negative image would be hydrophilic or &#8220;water loving&#8221;. Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. <cite>wikipedia</cite></p>
</blockquote>
<p>What this means is Lithography is a chemical process rather than physical (ink sitting on raised areas or in groves) it works at a molecular level.</p>
<blockquote><p>Lithography works because of the mutual repulsion of oil and water. The image is drawn on the surface of the print plate with a fat or oil-based medium (hydrophobic) such as a wax crayon, which may be pigmented to make the drawing visible. A wide range of oil-based media is available, but the durability of the image on the stone depends on the lipid content of the material being used, and its ability to withstand water and acid. Following the drawing of the image, an aqueous solution of gum arabic, weakly acidified with nitric acid HNO<sub>3</sub> is applied to the stone. The function of this solution is to create a hydrophilic layer of calcium nitrate salt, Ca(NO<sub>3</sub>)<sub>2</sub>, and gum arabic on all non-image surfaces. The gum solution penetrates into the pores of the stone, completely surrounding the original image with a hydrophilic layer that will not accept the printing ink. Using lithographic turpentine, the printer then removes any excess of the greasy drawing material, but a hydrophobic molecular film of it remains tightly bonded to the surface of the stone, rejecting the gum arabic and water, but ready to accept the oily ink.  When printing, the stone is kept wet with water. Naturally the water is attracted to the layer of gum and salt created by the acid wash. Printing ink based on drying oils such as linseed oil and varnish loaded with pigment is then rolled over the surface. The water repels the greasy ink but the hydrophobic areas left by the original drawing material accept it. <br />
When the hydrophobic image is loaded with ink, the stone and paper are run through a press which applies even pressure over the surface, transferring the ink to the paper and off the stone.<cite>wikipedia</cite></p>
</blockquote>
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		</item>
		<item>
		<title>Flex capacity bag support</title>
		<link>http://hybridgarden.com/blog/misc/flex-capacity-bag-support/</link>
		<comments>http://hybridgarden.com/blog/misc/flex-capacity-bag-support/#comments</comments>
		<pubDate>Tue, 18 May 2010 08:19:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[Prototypes]]></category>

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		<description><![CDATA[
Flex capacity bag support
Plastic, Plastic bag (any)

]]></description>
			<content:encoded><![CDATA[<p>
<figure><strong>Flex capacity bag support</strong><a href="http://www.flickr.com/photos/rhysburnie/4570485062/" title="Flex capacity bag support" target="_blank" class="flickr-image alignnone" rel="flickr-mgr" ><img src="http://farm5.static.flickr.com/4020/4570485062_042288c7e2.jpg" alt="Flex capacity bag support" class="flickr-large"  /></a>
<figcaption>Plastic, Plastic bag (any)</figcaption>
</figure>
]]></content:encoded>
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